Azita Rassi

“The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell—keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases.”
― Kurt Vonnegut, Mother Night

“After we finished hanging Hoess,” Mengel said to me, “I packed up my clothes to go home. The catch on my suitcase was broken, so I buckled it shut with a big leather strap. Twice within an hour I did the very same job—once to Hoess and once to my suitcase. Both jobs felt about the same.”
― Kurt Vonnegut, Mother Night

“A woman’s child died. She was very sad and crying, all the time. She went to the Buddha and said, “Buddha, Buddha, please bring my son back to life.” And she was crying, crying. So the Buddha said to her, “Go bring me some mustard seeds from a house in which there has been no death ever and I’ll bring your son alive.” So the woman went around from house to house, begging for mustard seeds, crying. But she couldn’t find a single house in which there hadn’t been a death. For days she went looking and crying but no one could give her those seeds. So she returned to the Buddha, fell at his feet and said, ‘I couldn’t find the mustard seeds. Every house I went to has had a death in it. What will happen now?’ The Buddha said, ‘I asked you to do the impossible. Every mortal is marked by death. No one can escape it. That is why you couldn’t find a death-free home. This was my lesson to you –death is universal, all of us have to die.”
― Neel Mukherjee, The Lives of Others

“Bats are flooding out from the hundreds of caves that perforate these mountainsides. I watch them plunge into the mists without any hesitation, trusting in the echoes and silences in which they fly. Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analyzing the returning echoes of our memory in order to chart the terrain, in order to make sense of the world around us?”
― Tan Twan Eng, The Garden of Evening Mists