 
   
      “I have crossed an ocean
I have lost my tongue
from the root of the old one
a new one has sprung”
― The Fat Black Woman's Poems
  I have lost my tongue
from the root of the old one
a new one has sprung”
― The Fat Black Woman's Poems
 
      “Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure. ”
    
― A Lover's Discourse: Fragments
  ― A Lover's Discourse: Fragments
 
      “She is sixteen and her skin is the darkness before the black, the plum of the day’s light, her breasts like sunsets trapped beneath her skin, but for all her youth and beauty she has a sour distrusting expression that only dissolves under the weight of immense pleasure. Her dreams are spare, lack the propulsion of a mission, her ambition is without traction. Her fiercest hope? That she will find a man. What she doesn’t yet know: the cold, the backbreaking drudgery of the factorias, the loneliness of Diaspora, that she will never again live in Santo Domingo, her own heart. What else she doesn’t know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.”
    
― The Brief Wondrous Life of Oscar Wao
  ― The Brief Wondrous Life of Oscar Wao
Hanan’s 2024 Year in Books
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