Joey Anderson

“But in the end, it’s still just cleaning a table.” “And therefore does not really signify on the cosmic scale of events?” the man suggested. He smiled in response to the man’s grin, “Well, yes.” “But then, what does signify? My other work? Is that really important, either? I could try composing wonderful musical works, or day-long entertainment epics, but what would that do? Give people pleasure? My wiping this table gives me pleasure. And people come to a clean table, which gives them pleasure. And anyway” — the man laughed — “people die; stars die; universes die. What is any achievement, however great it was, once time itself is dead? Of course, if all I did was wipe tables, then of course it would seem a mean and despicable waste of my huge intellectual potential. But because I choose to do it, it gives me pleasure. And,” the man said with a smile, “it’s a good way of meeting people. So where are you from, anyway?”
― Iain M. Banks, Use of Weapons

“Can the fundamental nature of matter really be lawlessness? Can the stability and order of the world be but a temporary dynamic equilibrium achieved in a corner of the universe, a short-lived eddy in a chaotic current?”
― Liu Cixin, The Three-Body Problem

“—Please, V says. Scribble. James opens his notebook and writes, The island was a separate place, situated partway between America and the moon. Some clear nights out with the telescope—moon full or gibbous—I felt about equidistant between the sharp-edged craters and the sparkling lights of America across the harbor. I knew that off the island very particular rules and laws and customs about skin color and blood degree applied, that the entire stretch of country from ocean to ocean was a strange place with a very strict borderline, and that I didn’t exactly fit on either side of it. Then across the bottom of the page—in a larger, more swooping hand—he writes: The island felt like home to a degree I’ve never experienced before or since.”
― Charles Frazier, Varina

“The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.”
― Cormac McCarthy, The Crossing