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Decolonizing Ther...
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Feeding Your Demo...
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How to End a Love...
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by Yulin Kuang (Goodreads Author)
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Book cover for The Housemaid
“He says unloved women have no biographies—they have histories.” F. Scott Fitzgerald, The Beautiful and Damned “Look like the innocent flower, But be the serpent under it.” William Shakespeare, Macbeth
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Hanya Yanagihara
“He doesn’t know this now, but in the years to come he will, again and again, test Harold’s claims of devotion, will throw himself against his promises to see how steadfast they are. He won’t even be conscious that he’s doing this. But he will do it anyway, because part of him will never believe Harold and Julia; as much as he wants to, as much as he thinks he does, he won’t, and he will always be convinced that they will eventually tire of him, that they will one day regret their involvement with him. And so he will challenge them, because when their relationship inevitably ends, he will be able to look back and know for certain that he caused it, and not only that, but the specific incident that caused it, and he will never have to wonder, or worry, about what he did wrong, or what he could have done better. But that is in the future. For now, his happiness is flawless.”
Hanya Yanagihara, A Little Life

Hanya Yanagihara
“He didn’t care if they really felt that way or not: he just needed them to say it, he needed to feel that something lay beneath their imperturbable calm, that somewhere within them ran a thin stream of quick, cool water, teeming with delicate lives, minnows and grasses and tiny white flowers, all tender and easily wounded and so vulnerable you couldn’t see them without aching for them.”
Hanya Yanagihara, A Little Life

Hanya Yanagihara
“She was quiet. “One thing I’ve learned,” she said, “you have to talk about these things while they’re fresh. Or you’ll never talk about them. I’m going to teach you how to talk about them, because it’s going to get harder and harder the longer you wait, and it’s going to fester inside you, and you’re always going to think you’re to blame. You’ll be wrong, of course, but you’ll always think it.”
Hanya Yanagihara, A Little Life

Coco Mellors
“Mercurial was how she would describe him. Changeable as the weather. And like the weather, he had to be regularly checked to work out what kind of day they were going to have.”
Coco Mellors, Blue Sisters

Hanya Yanagihara
“Often, it feels as if he and Rhodes (and he and almost every one of his contemporaries at the firm) are living parallel versions of adulthood. Their world is governed by children, little despots whose needs—school and camp and activities and tutors—dictate every decision, and will for the next ten, fifteen, eighteen years. Having children has provided their adulthood with an instant and nonnegotiable sense of purpose and direction: they decide the length and location of that year’s vacation; they determine if there will be any leftover money, and if so, how it might be spent; they give shape to a day, a week, a year, a life. Children are a kind of cartography, and all one has to do is obey the map they present to you on the day they are born.”
Hanya Yanagihara, A Little Life

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Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin
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