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Midnight's Children
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Sally Rooney
“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
― Sally Rooney, Normal People

Sally Rooney
“... the snow keeps falling, like a ceaseless repetition of the same infinitesimally small mistake.”
― Sally Rooney, Normal People

Sally Rooney
“He does have immaculate taste. He's sensitive to the most minuscule of aesthetic failures, in painting, in cinema, even in novels or television shows. Sometimes when Marianne mentions a film she has recently watched, he waves his hand and says: It fails for me. This quality of discernment, she has realised, does not make Lukas a good person. He has managed to nurture a fine artistic sensitivity without ever developing any real sense of right and wrong. The fact that this is even possible unsettles Marianne, and makes art seem pointless suddenly.”
― Sally Rooney, Normal People

Patricia Hampl
“But by the time you’ve worked long enough, hard enough, Real Life (which insists on being capitalized as if it were a personage with a proper name and a right to barge into this rental unit called your life) begins to reveal itself as something other than effort, other than accomplishment. Real Life wishes to be left to its own purposeless devices.”
― Patricia Hampl, The Art of the Wasted Day

Jean-Paul Sartre
“There are also amateurs. These are secretaries, office workers, shopkeepers, people who listen to others in cafes: around forty they feel swollen, with an experience they can't get rid of. Luckily they've made children on whom they can pass it off. They would like to make us believe that their
past is not lost, that their memories are condensed, gently transformed into Wisdom.”
― Jean-Paul Sartre, Nausea

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