Rita Osório

“What must it feel like to be an adult and still discovering the world’s pleasures? And”
― Hanya Yanagihara, A Little Life

“There’s this family photo,” he says, “not the one in the hall, this other one, from back when I was six or seven. That day was awful. Muriel put gum in David’s book and I had a cold, and my parents were fighting right up until the flash went off. And in the photo, we all look so … happy. I remember seeing that picture and realizing that photographs weren’t real. There’s no context, just the illusion that you’re showing a snapshot of a life, but life isn’t snapshots, it’s fluid. So photos are like fictions. I loved that about them. Everyone thinks photography is truth, but it’s just a very convincing lie.”
― V.E. Schwab, The Invisible Life of Addie LaRue

“He never mentioned whether something was fair, however. Fairness itself seemed to hold very little interest for him, which I found fascinating, as people, especially young people, are very interested in what's fair. Fairness is a concept taught to nice children: it is the governing principle of kindergartens and summer camps and playgrounds and soccer fields ... Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities.”
― Hanya Yanagihara, A Little Life

“I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, ‘You will miss so much by being so guarded.”
― Rebecca Ross, Divine Rivals