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James Baldwin
“For I am—or I was—one of those people who pride themselves in on their willpower, on their ability to make a decision and carry it through. This virtue, like most virtues, is ambiguity itself. People who believe that they are strong-willed and the masters of their destiny can only continue to believe this by becoming specialists in self-deception. Their decisions are not really decisions at all—a real decision makes one humble, one knows that it is at the mercy of more things than can be named—but elaborate systems of evasion, of illusion, designed to make themselves and the world appear to be what they and the world are not. This is certainly what my decision, made so long ago in Joey’s bed, came to. I had decided to allow no room in the universe for something which shamed and frightened me. I succeeded very well—by not looking at the universe, by not looking at myself, by remaining, in effect, in constant motion.”
James Baldwin, Giovanni’s Room

Robin D.G. Kelley
“Too often, our standards for evaluating social movements pivot around whether or not they "succeeded" in realizing their visions rather than on the merits or power of the visions themselves. By such a measure, virtually every radical movement failed because the basic power relations they sought to change remained pretty much intact. And yet it is precisely these alternative visions and dreams that inspire new generations to struggle for change.”
Robin D.G. Kelley, Freedom Dreams: The Black Radical Imagination

Robin D.G. Kelley
“I could hear something so I realized, of course, what he was trying to tell me was first of all, don’t be judgmental of anybody else, just listen and pay attention and look for the beauty. And then when you find the beauty, study that and don’t bother with the rest of it.53”
Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

Robin D.G. Kelley
“In Richmond, for instance, free blacks petitioned the city council to repeal the city’s repressive Black Code, and in New York City there was the stunning behavior of Elizabeth Jennings. On a Sunday morning in 1854 she was pulled out of a horse-drawn trolley car and wrestled to the ground by a white conductor and driver who sought to keep her from sitting in the white section. With the same conviction and audacity shown by the free blacks of Richmond, Jennings took her case to court. Her victory there broke the back of segregation on public conveyances in New York.”
Robin D.G. Kelley, To Make Our World Anew: Volume I: A History of African Americans to 1880

Robin D.G. Kelley
“Césaires (Aimé and Suzanne) were creative innovators of surrealism—that they actually introduced fresh surrealist ideas to Breton and his colleagues. I don’t think it is too much to argue that the Césaires not only embraced surrealism—independently of the Paris Group, I might add—but also expanded it, enlarged its perspectives, and contributed enormously to theorizing the “domain of the Marvelous.” Aimé Césaire, after all, has never denied his surrealist leanings. As he explains: “Surrealism provided me with what I had been confusedly searching for. I have accepted it joyfully because in it I have found more of a confirmation than a revelation.” Surrealism, he explained, helped him to summon up powerful unconscious forces. “This, for”
Robin D.G. Kelley, Freedom Dreams: The Black Radical Imagination

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