Mara

“Dearest dearest darling most important dearest darling Natalie-this is me talking, your own priceless own Natalie, and I just wanted to tell you one single small thing: you are the best, and they will know it someday, and someday no one will ever dare laugh again when you are near, and no one will dare even speak to you without bowing first. And they will be afraid of you. And all you have to do is wait, my darling, wait and it will come, I promise you. Because that’s the fair part of it—they have it now, and you have it later. Don’t worry, please, please don’t, because worrying might spoil it, because if you worry it might not come true.
Somewhere there is something waiting for you, and you can smile a little perhaps now when you are so unhappy, because how well we both know that you will be happy very very very very soon. Somewhere someone is waiting for you, and loves you, and thinks you are beautiful, and it will be so wonderful and so fine, and if you can be patient and wait and never never never never despair, because despair might spoil it, you will come there, someday, and the gates will open and you will pass through, and no one will be able to come in unless you let them, and no one can even see you. Someday, someone, somewhere. Natalie, please”
― Shirley Jackson, Hangsaman

“The sight of one's own heart is degrading; people are not meant to look inward -- that's why they've been given bodies, to hide their souls.”
― Shirley Jackson, The Sundial

“Perhaps tomorrow I shall pick up one of the houses, any one, and, holding it gently in one hand, pull it carefully apart with my other hand, with great delicacy taking the pieces of it off one after another: first the door and then, dislodging the slight nails with care, the right front corner of the house, board by board, and then, sweeping out the furniture inside, down the right wall of the house, removing it with care and not touching the second floor, which should remain intact even after the first floor is entirely gone. Then the stairs, step by step, and all this while the mannikins inside run screaming from each section of the house to a higher and a more concealed room, crushing one another and stumbling and pulling frantically, slamming doors behind them while my strong fingers pull each door softly off its hinges and pull the walls apart and lift out the windows intact and take out carefully the tiny beds and chairs; and finally they will be all together like seeds in a pomegranate, in one tiny room, hardly breathing, some of them fainting, some crying, and all wedged in together looking in the direction from which I am coming, and then, when I take the door off with sure careful fingers, there they all will be, packed inside and crushed back against the wall, and I shall eat the room in one mouthful, chewing ruthlessly on the boards and the small sweet bones.”
― Shirley Jackson, Hangsaman

“Lonely, ain't it?
Yes, but my lonely is mine. Now your lonely is somebody else's. Made by somebody else and handed to you. Ain't that something? A secondhand lonely.”
― Toni Morrison, Sula