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"do NOT ask Persephone how wild mint came to be …" — Feb 03, 2026 07:06AM
"do NOT ask Persephone how wild mint came to be …" — Feb 03, 2026 07:06AM
'Why canst thou not always be a good lass, Cathy?' And she turned her face up to his, and laughed, and answered, 'Why cannot you always be a good man, father?'
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“We eat the year away. We eat the spring and the summer and the fall. We wait for something to grow and then we eat it.”
― We Have Always Lived in the Castle
― We Have Always Lived in the Castle
“Out of the corner of one eye, I could see my mother. Out of the corner of the other eye, I could see her shadow on the wall, cast there by the lamp-light. It was a big and solid shadow, and it looked so much like my mother that I became frightened. For I could not be sure whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world.”
― Annie John
― Annie John
“A Strange melancholy pervades me to which I hesitate to give the grave and beautiful name of sorrow. The idea of sorrow has always appealed to me but now I am almost ashamed of its complete egoism. I have known boredom, regret, and occasionally remorse, but never sorrow. Today it envelops me like a silken web, enervating and soft, and sets me apart from everybody else.”
― Bonjour tristesse
― Bonjour tristesse
“Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
― The Secret History
― The Secret History
“I have scars on my hand from touching certain people. Once, in the park, when Frannie was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand.”
― Raise High the Roof Beam, Carpenters & Seymour: An Introduction
― Raise High the Roof Beam, Carpenters & Seymour: An Introduction
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