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The Marriage of C...
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"do NOT ask Persephone how wild mint came to be …" Feb 03, 2026 07:06AM

 
Fourth Wing
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by Rebecca Yarros (Goodreads Author)
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fantine fantine said: " I made a deal with my friend that if she read Interview with the Vampire and The Vampire Lestat I would read any book she chooses. She chose. fml ...more "

 
The Mycenaean World
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See all 6 books that fantine is reading…
Book cover for High Stakes (The Mediator, #2)
I put on my best butt-kicking outfit – my black Betsey Johnson miniskirt with black ribbed tights, side-zip Batgirl boots and purple Armani sweater set
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Shirley Jackson
“There was a point in Natalie, only dimly realised by herself and probably entirely a function of her age, where obedience ended and control began; after this point was reached and passed, Natalie became a solitary functioning individual capable of ascertaining her own believable possibilities. Sometimes, with a vast aching heartbreak, the great, badly contained intentions of creation, the poignant searching longings of adolescence overwhelmed her, and shocked by her own capacity for creation, she held herself tight and unyielding, crying out silently something that might only be phrased as, "Let me take, let me create.”
Shirley Jackson, Hangsaman

Françoise Sagan
“I always wanted to ask people: “Are you in love? What are you reading?”
Françoise Sagan, A Certain Smile

Jean Rhys
“You imagine the carefully pruned, shaped thing that is presented to you is truth. That is just what it isn't. The truth is improbable, the truth is fantastic; it's in what you think is a distorting mirror that you see the truth.”
Jean Rhys, Good Morning, Midnight

Shirley Jackson
“We eat the year away. We eat the spring and the summer and the fall. We wait for something to grow and then we eat it.”
Shirley Jackson, We Have Always Lived in the Castle
tags: food

J.D. Salinger
“I have scars on my hand from touching certain people. Once, in the park, when Frannie was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand.”
J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

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