Melanie

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A People's Histor...
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“Much of the work of an institution is about holding artists, audiences, curators and other administrators, guards, handlers, writers, educators gallerists and other market makers, donors board members, foundation partners, civic leaders, activists, etc. in a dynamic and productive tension....I'm not going to lie to you. This approach requires effort, it only works for people who are open to a dialogical process, and it requires a strong commitment to two things--total reliance on collaboration and a strong institutional identity--that feel totally contradictory. We {A Blade of Grass] can do this because we have a strong institutional identity--we know who we are. At the same time, we don't assert. We fundamentally accept that the institution is a vessel for the expression of as many different types of people as possible...We helped to make these Two Americas. If we can own that, we get to do something really politically ambitious, like work toward One America. [written by Deborah Fisher]”
Paper Monument, As radical, as mother, as salad, as shelter: What should art institutions do now?

“We'd like to imagine we can make evil disappear in one, decisive victory. But evil won't cooperate, it reappears endlessly. You attain Goodness by transforming it every time it returns. That's what Goodness is: the ceaseless commitment to transform evil.”
Barry Michels, Coming Alive: 4 Tools to Defeat Your Inner Enemy, Ignite Creative Expression, and Unleash Your Soul's Potential

Richard Ford
“I read somewhere it is psychologically beneficial to stand near things greater and more powerful than you yourself, so as to dwarf yourself (and your piddlyass bothers) by comparison. To do so, the writer said, released the spirit from its everyday moorings, and accounted for why Montanans and Sherpas, who live near daunting mountains, aren't much at complaining or nettlesome introspection. He was writing about better "uses" to be made of skyscrapers, and if you ask me the guy was right on the money. All alone now beside the humming train cars, I actually do feel my moorings slacken, and I will say it again, perhaps for the last time: there is mystery everywhere, even in a vulgar, urine-scented, suburban depot such as this. You have only to let yourself in for it. You can never know what's coming next. Always there is the chance it will be--miraculous to say--something you want.”
Richard Ford, The Sportswriter

Raymond Williams
“To be truly radical is to make hope possible rather than despair convincing”
Raymond Williams

Jack Kerouac
“LA is the loneliest and most brutal of American cities; NY gets god-awful cold in the winter but there's a feeling of wacky comradeship somewhere in some streets. LA is a jungle.”
Jack Kerouac, On the Road

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