Holli Rabishaw

“Dawn is purely a work of fiction, but I wrote it to look at myself in a new way. Obviously I did not live this tale, but I was implicated in its ethical dilemma from the moment that I assumed my character’s place. Difficult? Not really. Suppose the American army, instead of sending me to France, had handed me a visa to the Holy Land—would I have had the courage to join one of the movements that fought for the right of the Jewish people to form an independent state in their ancestral homeland? And if so, could I have gone all the way in my commitment and killed a man, a stranger? Would I have had the strength to claim him as my victim? So I wrote this novel in order to explore distant memories and buried doubts: What would have become of me if I had spent not just one year in the camps, but two or four? If I had been appointed kapo? Could I have struck a friend? Humiliated an old man? And taking the questions further within the context of the narrative: How are we ever to disarm evil and abolish death as a means to an end? How are we ever to break the cycle of violence and rage? Can terror coexist with justice? Does murder call for murder, despair for revenge? Can hate engender anything but hate? The”
― Elie Wiesel, Dawn

“I kept reminding myself of the sunflowers. Fear no storms, turn in gratitude toward the light.”
― Marta Molnar, The Secret Life of Sunflowers