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Ray   Smith
“Oh my. Molly put her hand to her no-doubt agape mouth. Oh my, oh my, oh my. After her divorce, she hadn’t thought this day would ever come again, but here it was, a second proposal. Life is funny, she thought, and she felt herself step back from the reality of her situation for a moment, lest its emotions overwhelm her and make her swoon like a damsel in those Middle English chivalric romances she taught in 10th-grade English. Yes, life was indeed funny. It had no syllabus, which was why Molly, always a diligent student, felt so unprepared for it. Life played tricks on you too, surprised you, with the biggest surprise that life, even at the nearly half-century mark, could still hold surprises. Like so: There is a man in my kitchen, a man I’m in love with, and he wants to spend the rest of his life with me. How strange and how very unconventional by its conventional, everyday setting.”
Ray Smith, The Magnolia That Bloomed Unseen

Ray   Smith
“A hundred years from now, folks will look back at this time period and think, Wow, what an incredible moment it must’ve been to be alive. Syrian refugees, human trafficking, climate change—the whole world is out there waiting to be saved. And you’ll have a grand adventure doing it, even if only in what you consider a small, locally based way. You know, you already have as a teacher.”
Ray Smith, The Magnolia That Bloomed Unseen

Chimamanda Ngozi Adichie
“Don’t see it as forgiving him. See it as allowing yourself to be happy. What will you do with the misery you have chosen? Will you eat misery?”
Chimamanda Ngozi Adichie, Half of a Yellow Sun

Ray   Smith
“I am merely at the midway point in the novel of my own life. On around page 250 of a 500-page tale and, given future medical advances, maybe even 200. There’s no reason why the next 250, 300, or even 350 pages will not be far more exciting than the first half.”
Ray Smith, The Magnolia That Bloomed Unseen

Ray   Smith
“Except those images weren’t exact captures of reality. No, the Camera Eye was also suffused with what photographers called the Golden Hour—the gilt-tinted hour following sunrise and preceding sunset, when the world was awash with russet rays and even the meanest streets were aglow as if in an Arthurian legend. Every moment spent with John was like that, reality beyond reality. Richer, realer, rawer than reality. These were the moments she remembered most.”
Ray Smith, The Magnolia That Bloomed Unseen

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