Dallin Coons

“Before the Sex Pistols, music was so bloody serious, all run by university graduates. It was all head music devoid of any real intellectualism. There was no deep though in it, merely images pertaining to something mystical, too stupid and absolutely devoid of reality. How on earth were we supposed to relate to that music when we lived in council flats? We had no money, no job, no nothing. So the Pistols projected that anger, that rock-bottom working-class hate.”
― John Lydon, Rotten: No Irish, No Blacks, No Dogs

“An estimate is not a number. An estimate is a distribution.”
― Robert C. Martin, Clean Coder, The: A Code of Conduct for Professional Programmers

“There was this one show in Green Bay when this kid was booing us loud and aggressively. Then The Ramones came on and he was booing them too. We went over to White Zombie’s tour manager and said, ‘This guy was booing us and that’s one thing, but now he’s booing The Ramones, and if you boo The Ramones you’re booing rock ‘n’ roll.’ So the tour manager went and plucked this kid out of the audience and kicked him out of the show for booing The Ramones. The poor kid had to wait in the cold without his jacket on and wait for his mommy to come and get him, all because he didn’t realize what he was doing. Monte:”
― Monte A. Melnick, On The Road With The Ramones

“Professional developers are so certain of their code and tests that they are maddeningly casual about making random, opportunistic changes. They'll change the name of a class, on a whim. They'll notice a long-ish method while reading through a module and repartition it as a matter of course They'll transform a switch statement into polymorphic deployment, or collapse an inheritance hierarchy into a chain-of-command. In short, they treat software the way a sculptor treats clay-they continuously shape and mold it.”
― Robert C Martin