Stephanie So

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A Darker Shade of...
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The Silence of th...
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The Emperor's Blades
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Hayao Miyazaki
“[pitching the proposal for Mononoke-hime (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, "I love you, Ashitaka. But I cannot forgive humans." Smiling, the boy should say, "That is fine. Live with me.”
Hayao Miyazaki

John Green
“Oh, I wouldn't mind, Hazel Grace. It would be a privilege to have my heart broken by you.”
John Green, The Fault in Our Stars

John Green
“There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.”
John Green, The Fault in Our Stars

Hayao Miyazaki
“If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.”
Hayao Miyazaki
tags: time

Brandon Sanderson
“I needed to say something. Something romantic! Something to sweep her off her feet.
"You’re like a potato!" I shouted after her. "In a minefield."
She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?”
“It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.”
“A potato.”
“Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?”
“Plenty of people. Why can’t I be something sweet, like a cake?”
“Because cake wouldn’t grow in a minefield. Obviously.”
She stared down the hallway at me for a few moments, then sat on an overgrown set of roots.
Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.”
Brandon Sanderson, Firefight

year in books
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