William Rea

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Mon Cher Amour: T...
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May 11, 2026 04:26PM

 
Woman at Point Zero
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May 11, 2026 02:22PM

 
Where Reasons End
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Svetlana Alexievich
“No one had taught us how to be free. We had only ever been taught how to die for freedom.”
Svetlana Alexievich, Secondhand Time: The Last of the Soviets

Fyodor Dostoevsky
“Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.”
Fyodor Dostoevsky, The Brothers Karamazov

Fyodor Dostoevsky
“What is hell? I maintain that it is the suffering of being unable to love.”
Fyodor Dostoevsky, The Brothers Karamazov

Subcomandante Marcos
“Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains.
Marcos is all the exploited, marginalised, oppressed minorities resisting and saying `Enough'. He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable -- this is Marcos.”
Subcomandante Marcos

Trinh T. Minh-ha
“Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition.”
Trinh T. Minh-ha, Woman, Native, Other: Writing Postcoloniality and Feminism

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