Andrea M

“Love?' he asked himself, giving no sense of recognition for that word in the dictionary of his mind. It was the only battle he had lost in life, the only thing that had been snatched away from him, before he could even claim it.”
― Faraaz Kazi, Truly, Madly, Deeply

“Do not hope to understand the source of my understanding.”
― Thomas Fitzgerald

“He saw the black water and the declining sun and the swan dipping down, its white wings flashing, and slowing and slowing till silver ripples carried it home. It was a scene which seemed the heart of this land. The lowing sun and the one star waking, white wings on a black water, and the smell of rain, and the long lane fading where a voice comes in the falling night.
--Ireland, said Scrotes.
--Yes, this is Ireland.
”
― Jamie O'Neill, At Swim, Two Boys

“Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do.

At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are.

If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.”
― Alain de Botton, The Art of Travel