Julia Saenz
https://www.goodreads.com/juliasaenz
“I always wonder about people who go to Rome as they might go, for example, to Paris or to London. Certainly Rome as well as these other cities can be enjoyed aesthetically but if you are affected to the depths of your being at every step by the spirit that broods there, if a remnant of a wall here and a column there gaze upon you with a face instantly recognised, then it becomes another matter entirely.”
― Memories, Dreams, Reflections
― Memories, Dreams, Reflections
“Queer' not as being about who you're having sex with (that can be a dimension of it); but 'queer' as being about the self that is at odds with everything around it and that has to invent and create and find a place to speak and to thrive and to live.”
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“To put it another way: having gone about as high up Hemingway Mountain as I could go, having realized that even at my best I could only ever hope to be an acolyte up there, resolving never again to commit the sin of being imitative, I stumbled back down into the valley and came upon a little shit-hill labeled “Saunders Mountain.”
“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”
Then again, that was my name on it.
This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.
What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
― A Swim in a Pond in the Rain
“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”
Then again, that was my name on it.
This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.
What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
― A Swim in a Pond in the Rain
“Everything goes. I am working very hard at not thinking about how everything goes.”
― Play It As It Lays
― Play It As It Lays
“Language shows clearly that memory is not an instrument for exploring the past but its theater. It is the medium of past experience, as the ground is the medium in which dead cities lie interred. He who seeks to approach his own buried past must conduct himself like a man digging. This confers the tone and bearing of genuine reminiscences. He must not be afraid to return again and again to the same matter, to scatter it as one scatters earth, to turn it over as one turns over soil. For the matter itself is only a deposit, a stratum, which yields only to the most meticulous examination what constitutes the real treasure hidden within the earth: the images, severed from earlier associations, that stand—like precious fragments or torsos in a collector’s gallery—in the prosaic rooms of our later understanding.”
― Reflections: Essays, Aphorisms, Autobiographical Writings
― Reflections: Essays, Aphorisms, Autobiographical Writings
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Julia’s 2025 Year in Books
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