Julia Saenz
https://www.goodreads.com/juliasaenz
“Everything goes. I am working very hard at not thinking about how everything goes.”
― Play It As It Lays
― Play It As It Lays
“Everything I've ever let go of has claw marks on it. (on the wall of a bedroom at a recovery house for alcoholics and drug addicts)”
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“It is easier, of course, to find dignity in one's solitude. Loneliness is solitude with a problem. Can blue solve the problem, or can it at least keep me company within it?—No, not exactly. It cannot love me that way; it has no arms. But sometimes I do feel its presence to be a sort of wink—Here you are again, it says, and so am I.”
― Bluets
― Bluets
“I think we have to do forbidden things, otherwise we suffocate. But without feeling guilty and instead as an announcement that we are free.”
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“To put it another way: having gone about as high up Hemingway Mountain as I could go, having realized that even at my best I could only ever hope to be an acolyte up there, resolving never again to commit the sin of being imitative, I stumbled back down into the valley and came upon a little shit-hill labeled “Saunders Mountain.”
“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”
Then again, that was my name on it.
This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.
What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
― A Swim in a Pond in the Rain
“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”
Then again, that was my name on it.
This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.
What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
― A Swim in a Pond in the Rain
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Julia’s 2025 Year in Books
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