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Unruly Therapeuti...
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A Theory of Birds
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by Zaina Alsous (Goodreads Author)
bookshelves: poetry, currently-reading
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— Sep 10, 2026 11:29PM

 
Nervous: Essays o...
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by Jen Soriano (Goodreads Author)
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— Sep 12, 2026 03:24AM

 
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Kazuo Ishiguro
“That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.”
― Kazuo Ishiguro, Never Let Me Go

G.K. Chesterton
“The point is not that this world is too sad to love or too glad not to love; the point is that when you do love a thing, its gladness is a reason for loving it, and its sadness a reason for loving it more.”
― G.K. Chesterton, Orthodoxy

To live (as I understand it) is to exist within a conception of time. But
“To live (as I understand it) is to exist within a conception of time.

But to remember is to vacate the very notion of time.

Every memory, no matter how remote its subject, takes place 'Now,' at the moment it's called to the mind.

The more something is recalled, the more the brain has a chance to refine the original experience.

Because every memory is a re-creation, not a playback.”
― David Mazzucchelli, Asterios Polyp

Luke Davies
“It's not that photography recaptures the world you have been in; more that it creates a new one: photographs are like Post-It Notes reminding us of the deep architectonic forms of space and thought.”
― Luke Davies, Isabelle the Navigator

G.K. Chesterton
“Suppose that a great commotion arises in the street about something, let us say a lamp-post, which many influential persons desire to pull down. A grey-clad monk, who is the spirit of the Middle Ages, is approached upon the matter, and begins to say, in the arid manner of the Schoolmen, "Let us first of all consider, my brethren, the value of Light. If Light be in itself good--" At this point he is somewhat excusably knocked down. All the people make a rush for the lamp-post, the lamp-post is down in ten minutes, and they go about congratulating each other on their unmediaeval practicality. But as things go on they do not work out so easily. Some people have pulled the lamp-post down because they wanted the electric light; some because they wanted old iron; some because they wanted darkness, because their deeds were evil. Some thought it not enough of a lamp-post, some too much; some acted because they wanted to smash municipal machinery; some because they wanted to smash something. And there is war in the night, no man knowing whom he strikes. So, gradually and inevitably, to-day, to-morrow, or the next day, there comes back the conviction that the monk was right after all, and that all depends on what is the philosophy of Light. Only what we might have discussed under the gas-lamp, we now must discuss in the dark.”
― G.K. Chesterton, Heretics

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