Katharine

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Little Women
Katharine is currently reading
Reading for the 2nd time
read in December 2020
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Katharine Katharine said: " The last time I read Little Women, I was eleven years old, working on a school assignment where I had to journal about my feelings as I read this book.

I’d love to find that little journal again and compare my thoughts over a decade later. The March
...more "

progress: 
 
  (page 250 of 816)
Nov 29, 2020 01:13AM

 
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“Here lay costume's history, robed in indignity, impossible to mend, impossible to display, impossible to throw away.”
Claire Wilcox, Patch Work: A Life Amongst Clothes

“The Keeper's hair was twisted into a bun and she wore glasses and flat shoes. When she walked through the galleries she stepped quickly, swinging a bunch of keys. Sometimes lost visitors intercepted her, asking where the tapestries or the patchwork quilts were, or for the way out. She was helpful, earnestly agreeing that the museum was a maze.

The Keeper taught us how to be public servants. We copied her mannerisms, were prompt, reliable, respectful. Our in-trays held erudite journals and we welcome complicated enquiries. We expressed tentative interest in obscure aspects of the collection. Once, early on, I said I liked the eighteenth century. It's a good century, she said kindly.

The Keeper believed in tacit experiencing and we learnt without realizing it. She asked me to unpick a lace collar that had been stitched into a faded backboard. I used a scalpel to slice through the threads, and when the lace was released, a shadow collar had been imprinted onto the blue velvet like a daguerreotype. This was a lesson in light damage.

That Christmas, we had a staff lunch. I was surprised when she ordered chips, had somehow thought that Keepers did not need such comestibles, that the ether of objects was sustenance enough. I imagined being like her one day, swinging the keys of knowledge. But back then, I was just a shadow curator.”
Claire Wilcox, Patch Work: A Life Amongst Clothes

Claire Dederer
“What do we do with the art of monsters from the past? Look for ourselves there - in the monstrousness. Look for mirrors of what we are, rather than evidence for how wonderful we've become.”
Claire Dederer, Monsters: A Fan's Dilemma

Roshani Chokshi
“In the end, a fairy tale is nothing more than a sense of hope. Hope lures and tricks. It tempts with shining thrones, exquisite nectars, and loving arms. It whispers to us that we are extraordinary. Exempt. Thus lured, we follow its path. Sometimes we are led to riches. Other times, we are led astray. But this hope never hides its shape, and for its honesty we reach for it and pull its sweet and stinking furs up to our chins, for to live without it means living without magic.”
Roshani Chokshi, The Last Tale of the Flower Bride

Natalie Haynes
“When she blew into the top of it, the reed made exactly the penetrating scream she demanded. Musicians - satyrs, in the first instance - would come along later and bend the instrument to their talent, creating the far sweeter sound we associate with the flute today. But Athene was no musician, and nor was she looking to play a tune. The first flute therefore sounded exactly like what it was.

The desperate cry of a reed that has been severed from its root.”
Natalie Haynes, Stone Blind

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