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Angel Down
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by Daniel Kraus (Goodreads Author)
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Just One More Day
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by Shari Low (Goodreads Author)
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The Lost Hours
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“Death may in some traditions be a vivid experience, but within much of the white tradition it is a blank that may be immateriality (pure spirit) or else just nothing at all. This is within the logics of whiteness even if it is not at the forefront of white identity. White people have a colour, but it is a colour that also signifies the absence of colour, itself a characteristic of life and presence. In the transparent representation of the culture of light, the white face has to be read in the blanks on the paper or screen. To be positioned as an over- seeing subject without properties may lead one to wonder if one is a subject at all. If it is spirit not body that makes a person white, then where does this leave the white body which is the vehicle for the reproduction of whiteness, of white power and possession, here on earth?”
Richard Dyer, White: Essays on Race and Culture

“Within Western art the dead white body has often been a sight of veneration, an object of beauty. While Christ on the cross may often be an image of agony, it is also one of beauty, with the suffering itself part of the transcendent beauty. In”
Richard Dyer, White: Essays on Race and Culture

Sarah J. Maas
“They couldn’t break me because … because they never touched that innermost part of me. They never even guessed. But I hid it … I’ve hidden it because …” She tilted back her head, looking skyward. “Because I live in terror of my family finding out—and shaming me, hurting me about this one thing that has remained wholly mine. This one part of me. I won’t let them … won’t let them destroy it. Or”
Sarah J. Maas, A Court of Wings and Ruin

May Sarton
“The trouble is that old age is not interesting until one gets there, a foreign country with an unknown language to the young, and even to the middle-aged. I”
May Sarton, As We Are Now

“Just as the vampires’ whiteness conveys their own deadness, so too their bringing of death is signalled by whiteness – their victims grow pale, the colour leaves their cheeks, life ebbs away. The horror of vampirism is expressed in colour: ghastly white, disgustingly cadaverous, without the blood of life that would give colour. The vampire's bite, so evidently a metaphor for sexuality, is debilitating unto death, just as white people fear sexuality if it is allowed to get out of control (out from under the will) – yet, like the vampire, they need it. The vampire is the white man or woman in the grip of a libidinal need s/he cannot master. In the act of vampirism, white society (the vampire) feeds off itself (his/her victims) and threatens to destroy itself. All”
Richard Dyer, White: Essays on Race and Culture

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