Sudeshna Bora

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MANY SHADES OF SA...
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  (page 3 of 395)
"I am curious if he would continue using communism throughout or it was just a very ill placed beginning of the book.
If former, I wonder what the narrative he wants to set.
He did use simple clear words for RSS whereas shrouded Communism in fractions, abstract words etc."
Nov 07, 2025 03:35AM

 
Satantango
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  (page 47 of 274)
"The second part ties this chapter with the first one. What surprised me is how different the personality of Petrina and Irimias were in the outside world compared to the office. Here, they are prone to anger, prone to violent threats. Also, finally these people are the people who the villagers were talking about. I also was surprised the disdain they felt towards the villagers." Oct 28, 2025 12:26PM

 
Gandhi Before India
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See all 9 books that Sudeshna is reading…
Book cover for Les Misérables
In fact, when the scaffold is there, all erected and prepared, it has something about it which produces hallucination. One may feel a certain indifference to the death penalty, one may refrain from pronouncing upon it, from saying yes or ...more
Sudeshna Bora
as I already know the impact execution had on the writer, I was looking forward to it's first entry kin the book. I was not disappointed . This entry was profound and the last few pages have been nothing but a delight.
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David Foster Wallace
“The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
David Foster Wallace

Victor Hugo
“For the masses, success has almost the same profile as supremacy.”
Victor Hugo, Les Misérables

bell hooks
“Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.”
bell hooks

Oscar Wilde
“Be yourself; everyone else is already taken.”
Oscar Wilde

Haruki Murakami
“Whether you want to or not. But the place you return to is always slightly different from the place you left. That’s the rule. It can never be exactly the same.”
Haruki Murakami, Men Without Women

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