Lois

“She had written something that felt like I could have written it, except I knew I couldn't have. I wouldn't have come up with something like that. Which is what we all want from art, isn’t it? When someone pins down something that feels like it lives inside us? Takes a piece of your heart out and shows it to you? It’s like they are introducing you to a part of yourself.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“It was a heady feeling, the idea that one could conjure a man from a stain on a calico patchwork quilt from 1978, that one could reverse the flow of power. If you commit murder and then vanish, what you leave behind isn’t just pain but absence, a supreme blankness that triumphs over everything else. The unidentified murderer is always twisting a doorknob behind a door that never opens. But his power evaporates the moment we know him. We learn his banal secrets. We watch as he’s led, shackled and sweaty, into a brightly lit courtroom as someone seated several feet higher peers down unsmiling, raps a gavel, and speaks, at long last, every syllable of his birth name.”
― Michelle McNamara, I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer

“Never let anyone make you feel ordinary.”
― Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

“He loses his power when we know his face.”
― Michelle McNamara, I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer