Jo Toon

“Should we only portray the world we wanted to see? Should we consider certain stories “damaging,” and restrict them from a general audience, not trusting them to take in the story without internalizing the messaging? Hadn’t we all agreed that morality in art was bad? But art did cause damage, and I was affected by films I had seen when I was young, and I was ashamed when I watched an old film and saw racist depictions I hadn’t seen before, and I was glad to be ashamed. But did we all have to see ourselves in the presentations of types? Did I have to feel like every wife and mother was presenting an overarching narrative of Wife and Mother that reinforced or rejected my own experience?”
― Julia May Jonas, Vladimir

“That’s because language doesn’t work to manipulate people into believing things they don’t want to believe; instead, it gives them license to believe ideas they’re already open to. Language—both literal and figurative, well-intentioned and ill-intentioned, politically correct and politically incorrect—reshapes a person’s reality only if they are in an ideological place where that reshaping is welcome.”
― Amanda Montell, Cultish: The Language of Fanaticism—Understanding the Social Science of Cult Influence

“He wondered if an action, to qualify as authentically good, needed not only to be untainted by self-interest but also to bring no pleasure of any kind.”
― Jonathan Franzen, Crossroads

“No, if you haven’t lived through 1998, you don’t know what sanctimony is.”
― Philip Roth, The Human Stain