Chris Mowers

“There are no faces truer than those that are so washed. How much better is it to weep at joy than to joy at weeping!”
― William Shakespeare, Much Ado About Nothing

“Harry — I think I've just understood something! I've got to go to the library!”
And she sprinted away, up the stairs.
“What does she understand?” said Harry distractedly, still looking around, trying to tell where the voice had come from.
“Loads more than I do,” said Ron, shaking his head.
“But why’s she got to go to the library?”
“Because that’s what Hermione does,” said Ron, shrugging. “When in doubt, go to the library.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets

“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
― Gary Provost