Erin M

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Her First Lie
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by Lucinda Berry (Goodreads Author)
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Whidbey
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Akwaeke Emezi
“Ikept the book for the title, for how it was spelled. Beautyful. I had no idea why that spelling was chosen, but I liked it because it kept the beauty intact. It wasn’t swallowed, killed off with an i to make a whole new word. It was solid; it was still there, so much of it that it couldn’t fit into a new word, so much fullness. You got a better sense of exactly what was causing that fullness. Beauty. I wanted to be as whole as that word.”
Akwaeke Emezi, The Death of Vivek Oji

Nicola Dinan
“No person is fewer than two things.”
Nicola Dinan, Disappoint Me

Carmen Maria Machado
“I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disney’s lineup of vain, effete ne’er-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbey’s scheming gay butler and Girlfriend’s controlling, lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectually—the system of coding, the way villainy and queerness became a kind of shorthand for each other—I cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. They’re always by far the most interesting characters on the screen. After all, they live in a world that hates them. They’ve adapted; they’ve learned to conceal themselves. They’ve survived.”
Carmen Maria Machado, In the Dream House

Carmen Maria Machado
“Places are never just places in a piece of writing. If they are, the author has failed. Setting is not inert. It is activated by point of view.”
Carmen Maria Machado, In the Dream House

Carmen Maria Machado
“The truth is, there is no better place to live than in the shadow of a beautiful, furious mountain.”
Carmen Maria Machado, In the Dream House

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