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The Raven Scholar
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Against the Machi...
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"This book is incredibly frustrating and I have MANY THOUGHTS about it. I find myself violently agreeing with one chapter and then wanting to throw the book out the window after the next chapter! I have bitched about this book and author to my husband ad nauseum." May 04, 2026 07:18AM

 
Chocolate City: A...
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"I really like this book but don't pick it up every day. The world is heavy and sad and scary and sometimes I gotta choose the fluff book." Apr 01, 2025 04:55AM

 
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Lois McMaster Bujold
“Ista sighed at the thought of being a skipping country wench, and not tragic Ista anymore. Though she did not doubt country wenches had their tragedies, too, and much less poetic sympathy for them than did royinas.”
Lois McMaster Bujold, Paladin of Souls

“YEARS AGO I set three "rules" for myself. Every poem I write, I said, must have a genuine body, it must have sincere energy, and it must have a spiritual purpose. If a poem to my mind failed any one of these categories it was rebuked and redone, or discarded. Over the forty or so years during which writing poems has been my primary activity, I have added other admonitions and consents. I want every poem to "rest" in intensity. I want it to be rich with "pictures of the world." I want it to carry threads from the perceptually felt world to the intellectual world. I want each poem to indicate a life lived with intelligence, patience, passion, and whimsy (not my life—not necessarily!—but the life of my formal self, the writer). I want the poem to ask something and, at its best moments, I want the question to remain unanswered. I want it to be clear that answering the question is the reader's part in an implicit author-reader pact. Last but not least, I want the poem to have a pulse, a breathiness, some moment of earthly delight. (While one is luring the reader into the enclosure of serious subjects, pleasure is by no means an unimportant ingredient.)”
Mary Oliver, Winter Hours: Prose, Prose Poems, and Poems

Robin Hobb
“In the space of a sundown, you show me the wide world from a horse’s back, and the soul of the world within my own walls.”
Robin Hobb, Fool's Errand

Lois McMaster Bujold
“You were kind.”

Cazaril shrugged. “Why not? What could it cost me, after all?”

Bergon shook his head. “Any man can be kind when he is comfortable. I’d always thought kindness a trivial virtue, therefore. But when we were hungry, thirsty, sick, frightened, with our deaths shouting at us, in the heart of horror, you were still as unfailingly courteous as a gentleman at his ease before his own hearth.”

Events may be horrible or inescapable. Men have always a choice—if not whether, then how, they may endure.”
Lois McMaster Bujold, The Curse of Chalion

Robin Hobb
“Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart’s beating. Otherwise, what is the point of arising each day?”
Robin Hobb, Royal Assassin

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