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A Man Called Ove
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by Fredrik Backman (Goodreads Author)
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Tales from a Not-...
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The Unlikely Tale...
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by Jasmine Warga (Goodreads Author)
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Li-Young Lee
“That's what I want, that kind of recklessness where the poem is even ahead of you. It's like riding a horse that's a little too wild for you, so there's this tension between what you can do and what the horse decides it's going to do.”
Li-Young Lee, Breaking the Alabaster Jar: Conversations with Li-Young Lee

Amanda Coplin
“She revered solitude, but only because there was the possibility of breaking it. Of communing at last with another.”
Amanda Coplin, The Orchardist

Li-Young Lee
“..in the last few years American poetry has come out of a poetry of complaint, not praising, and it was initially maybe rich. And it can continue to be rich if we remember that we shouldn't write out of complaint. We should write out of grief, but not grievance. Grief is rich, ecstatic. But grievance is not -- it's a complaint, it's whining.”
Li-Young Lee, Breaking the Alabaster Jar: Conversations with Li-Young Lee

“Just because a thing can't be done doesn't mean it can't be did. We all look into mirrors and see phantoms. Our error is our Eros. Why is there something instead of nothing? The answer is reckless and surreal.”
Dean Young, The Art of Recklessness: Poetry as Assertive Force and Contradiction

Eduardo C. Corral
“Once a man offered me his heart and I said no. Not because I didn’t love him. Not because he was a beast or white — I couldn’t love him. Do you understand? In bed while we slept, our bodies inches apart, the dark between our flesh a wick. It was burning down. And he couldn’t feel it.”
Eduardo C. Corral, Slow Lightning (Volume 106)

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