Lily

“That's what I want, that kind of recklessness where the poem is even ahead of you. It's like riding a horse that's a little too wild for you, so there's this tension between what you can do and what the horse decides it's going to do.”
― Li-Young Lee, Breaking the Alabaster Jar: Conversations with Li-Young Lee

“..in the last few years American poetry has come out of a poetry of complaint, not praising, and it was initially maybe rich. And it can continue to be rich if we remember that we shouldn't write out of complaint. We should write out of grief, but not grievance. Grief is rich, ecstatic. But grievance is not -- it's a complaint, it's whining.”
― Li-Young Lee, Breaking the Alabaster Jar: Conversations with Li-Young Lee

“Just because a thing can't be done doesn't mean it can't be did. We all look into mirrors and see phantoms. Our error is our Eros. Why is there something instead of nothing? The answer is reckless and surreal.”
― Dean Young, The Art of Recklessness: Poetry as Assertive Force and Contradiction

“When he was a boy he was happy when the men arrived, and in a way wanted them to remain forever--but he was also anxious that they had arrived, that he was no longer alone. The sorrow came from those two feelings--the happiness of company, the anxiety of interrupted solitude. That was what he had felt, he thought, and what to some extent he still felt.”
― Amanda Coplin, The Orchardist