Elena Enns
https://www.goodreads.com/elenaenns
“Viscosity occurs on a cellular level. And so does velocity.In contrast to viscosity's cellular coma, velocity endows every platelet and muscle fiber with a mind of its own, a means of knowing and commenting on its own behavior. There is too much perception, and beyond the plethora of perceptions, a plethora of thoughts about the perceptions and about the fact of having perceptions. Digestion could kill you! What I mean is the unceasing awareness of the processes of digestion could exhaust you to death. And digestion is just an involuntary sideline to thinking, which is where the real trouble begins”
― Girl, Interrupted
― Girl, Interrupted
“We are all stardust and stories.”
― The Starless Sea
― The Starless Sea
“I walked past the lady in yellow robes and the maid bringing her a letter, past the soldier with a magnificent hat and the girl smiling at him, thinking of warm lips, brown eyes, blue eyes. Her brown eyes stopped me.
It's the painting from whose frame a girl looks out, ignoring her beefy music teacher, whose proprietary hand rests on her chair. The light is muted, winter light, but her face is bright.
I looked into her brown eyes and I recoiled. She was warning me of something-- she had looked up from her work to warn me. Her mouth was slightly open, as if she had just drawn a breath in order to say to me, "Don't!"
I moved backward, trying to get beyond the range of her urgency. But her urgency filled the corridor. "Wait," she was saying, "wait! Don't go!"
...
She had changed a lot in sixteen years. She was no longer urgent. In fact, she was sad. She was young and distracted, and her teacher was bearing down on her, trying to get her to pay attention. But she was looking out, looking for someone who would see her.
This time I read the title of the painting: Girl Interrupted at Her Music.
Interrupted at her music.- as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
I had something to tell her now "I see you," I said.
My boyfriend found me crying in the hallway.
"What's the matter with you?" he asked.
"Don't you see, she's trying to get out," I said, pointing at her.”
― Girl, Interrupted
It's the painting from whose frame a girl looks out, ignoring her beefy music teacher, whose proprietary hand rests on her chair. The light is muted, winter light, but her face is bright.
I looked into her brown eyes and I recoiled. She was warning me of something-- she had looked up from her work to warn me. Her mouth was slightly open, as if she had just drawn a breath in order to say to me, "Don't!"
I moved backward, trying to get beyond the range of her urgency. But her urgency filled the corridor. "Wait," she was saying, "wait! Don't go!"
...
She had changed a lot in sixteen years. She was no longer urgent. In fact, she was sad. She was young and distracted, and her teacher was bearing down on her, trying to get her to pay attention. But she was looking out, looking for someone who would see her.
This time I read the title of the painting: Girl Interrupted at Her Music.
Interrupted at her music.- as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
I had something to tell her now "I see you," I said.
My boyfriend found me crying in the hallway.
"What's the matter with you?" he asked.
"Don't you see, she's trying to get out," I said, pointing at her.”
― Girl, Interrupted
“Just because you can’t experience everything doesn’t mean you shouldn’t experience anything.”
― Everything, Everything
― Everything, Everything
“All things, when measured in spans of years, seem simple. But human lives do not occur in years, but slowly, day by day. A year may be easy, but its days are hard indeed.”
― Disobedience
― Disobedience
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Elena’s 2025 Year in Books
Take a look at Elena’s Year in Books, including some fun facts about their reading.
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Art, Classics, Contemporary, Crime, Fiction, Historical fiction, History, Music, Non-fiction, Poetry, and Psychology
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