Tahmina Ferdous

“No poet, no artist of any art, has his complete meaning alone.1 The force of these comments is directed equally, I think, at poets who think critically and at critics whose work aims at a close appreciation of the poetic process. The main idea is that even as we must fully comprehend the pastness of the past, there is no just way in which the past can be quarantined from the present. Past and present inform each other, each implies the other and, in the totally ideal sense intended by Eliot, each co-exists with the other.”
― Edward W. Said, Culture and Imperialism