Christopher Chen

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Upton Sinclair
“It is difficult to get a man to understand something, when his salary depends on his not understanding it.”
Upton Sinclair, I, Candidate for Governor: And How I Got Licked

Ernest Hemingway
“Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like cork-screws, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero’s bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each time. He did not have to emphasize their closeness. Brett saw how something that was beautiful done close to the bull was ridiculous if it were done a little way off. I told her how since the death of Joselito all the bull-fighters had been developing a technic that simulated this appearance of danger in order to give a fake emotional feeling, while the bull-fighter was really safe. Romero had the old thing, the holding of his purity of line through the maximum of exposure, while he dominated the bull by making him realize he was unattainable, while he prepared him for the killing.”
Ernest Hemingway, The Sun Also Rises

Chuck Palahniuk
“I ran. I ran until my muscles burned and my veins pumped battery acid. Then I ran some more. ”
Chuck Palahniuk, Fight Club

T.H. White
“Perhaps we all give the best of our hearts uncritically--to those who hardly think about us in return.”
T.H. White, The Once and Future King

T.S. Eliot
“You gave me hyacinths first a year ago;
They called me the hyacinth girl.'
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Od' und leer das Meer.”
T. S. Eliot, The Waste Land and Other Writings

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