Michael Emonds

“We judge ourselves by our internal motives and everyone else by their external actions. And thus, in considering our own misdeeds, we have more access to mitigating situational information. This is straight out of Us Them. When Thems do something wrong, it's because they're simply rotten. When Us-es do it, it's because of an extenuating circumstance and Me is the most focal Us there is, coming with the most insight into internal state. Thus on this cognitive level, there is no inconsistency or hypocrisy and we might readily perceive a wrong to be mitigated by internal motives in the case of anyone's misdeeds. It's just easier to know those motives when we are the perpetrator. The adverse consequences of this are wide and deep. Moreover, the pull towards judging yourself less harshly than others easily resists the rationality of deterrence. As Ariely writes in his book, 'Overall, cheating is not limited by risk; it is limited by our ability to rationalize the cheating to ourselves.”
― Robert M. Sapolsky

“Fascism is an act of contempt, in fact. Inversely, every form of contempt, if it intervenes in politics, prepares the way for, or establishes, Fascism.”
― Albert Camus, The Rebel: An Essay on Man in Revolt

“In other words, in 1919 relatively few people could become disenchanted with liberal modernity because only a tiny minority had enjoyed the opportunity to become enchanted with it in the first place. Since then, however, billions more people have been exposed to the promises of individual freedom in a global neo-liberal economy that imposes constant improvisation and adjustment – and just as rapid obsolescence.”
― Pankaj Mishra, Age of Anger: A History of the Present

“The twenty-seventh was Blackstar, or simply (the symbol of blackstar) - a suggestion that the A-Z was over, but there was more to come, beyond the known alphabet, beyond ordinary language; a second set of letters, communications, a rebirth. Inside the A to Z, and all the possible combinations of songs, styles, secrets, themes, discoveries, redirections, emotional climaxes, sheer drama, tension, relief, beauty, there was all you needed to know in order to construct and understand the language of Bowie
(re morley's alphabet of bowie albums)”
― Paul Morley, The Age of Bowie