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The Will of the Many
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by James Islington (Goodreads Author)
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Rob Sheffield
“But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.”
Rob Sheffield, Love Is a Mix Tape: Life and Loss, One Song at a Time

Madeleine L'Engle
“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.”
Madeleine L'Engle

Michael Chabon
“Like 90 percent of the television they watch, it comes from the south and is shown dubbed into Yiddish. It concerns the adventures of a pair of children with Jewish names who look like they might be part Indian and have no visible parents. They do have a crystalline magical dragon scale that they wish on in order to travel to a land of pastel dragons, each distinguished by its color and its particular brand of imbecility. Little by little, the children spend more and more time with their magical dragon scale until one day they travel off to the land of rainbow idiocy and never return; their bodies are found by the night manager of their cheap flop, each with a bullet in the back of the head. Maybe, Landsman thinks, something gets lost in the translation.”
Michael Chabon, The Yiddish Policemen's Union

Sonya Sones
“Culture Clash

Dylan says
when I meet his mother today
I shouldn't mention
that I'm Jewish.

I say
okay, but can I
tell her about
the HIV postive thing?

He gives me a look.
I give him one back”
Sonya Sones, What My Mother Doesn't Know

Studs Terkel
“What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)”
Studs Terkel, Touch and Go: A Memoir

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25x33 A Brief History of Time with Shaindel Beers — 63 members — last activity Oct 04, 2009 06:05AM
Feel free to ask questions about specific poems from the book, influences, or anything poetical, from May 08, 2009 to June 07, 2009...
160183 Cityread London 2015: Ben Aaronovitch's Rivers of London — 33 members — last activity Jan 09, 2016 07:52PM
Cityread London is an annual celebration of literature that aims to bring reading to life for the whole capital. Each April, Cityread asks London’s ci ...more
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