Emmalita

“What good is a coherent narrative if people don’t want to hear it? Because trauma won’t leave you alone until you feel safe, and safety is not something that an individual can summon on their own. Safety is not a gun. Safety is being able to trust that those around you WANT to protect you from harm. But if those around you don’t believe you are “like them,” then they will focus on the discomfort you make them feel, and that discomfort is not a safe space.”
― Hannah Gadsby, Ten Steps to Nanette

“I feel very Eat, Pray, Love right now, but specifically that scene in the movie where Julia Roberts just cries. Yeah. I feel like that but Black and tipsy.”
― Katrina Jackson, The Hitman

“So, I will just share it here, because I truly believe that the only universal “body” is our breath, because breath is the only thing that all human bodies experience and as such, it is something we all must share, not just with each other, but, in one way or another, with all living things on earth. To this day, I still can’t think of a better way of truly breaking us free from the visual rut that the canon of Western art has left us languishing in, than the breath of an Indigenous Australian woman.”
― Hannah Gadsby, Ten Steps to Nanette

“There’s much more to black history than pain and hard times, and romance authors, more than anyone else, know it. A writer friend told me that’s what he thinks some people outside of the culture don’t get about blackness: the sheer joy of it, especially given so many are only fixated on the struggle. Black romance thrives on complexity and nuance, on black solidarity and achievement, on the triumph of everyday life lived well, in spite of the odds.
-Black Romance Novels Matter Too. Shondaland 2/22/20”
― Carole V. Bell