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Adrienne Rich
“If we consider the possibility that all women–from the infant suckling her mother’s breast, to the grown woman experiencing orgasmic sensations while suckling her own child, perhaps recalling her mother’s milk-smell in her own; to two women, like Virginia Woolf’s Chloe and Olivia, who share a laboratory; to the woman dying at ninety, touched and handled by women–exist on a lesbian continuum, we can see ourselves as moving in and out of this continuum, whether we identify ourselves as lesbian or not. It allows us to connect aspects of woman-identification as diverse as the impudent, intimate girl-friendships of eight- or nine-year-olds and the banding together of those women of the twelfth and fifteenth centuries known as Beguines who “shared houses, rented to one another, bequeathed houses to their room-mates … in cheap subdivided houses in the artisans’ area of town,” who “practiced Christian virtue on their own, dressing and living simply and not associating with men,” who earned their livings as spinners, bakers, nurses, or ran schools for young girls, and who managed–until the Church forced them to disperse–to live independent both of marriage and of conventual restrictions. It allows us to connect these women with the more celebrated “Lesbians” of the women’s school around Sappho of the seventh century B.C.; with the secret sororities and economic networks reported among African women; and with the Chinese marriage resistance sisterhoods–communities of women who refused marriage, or who if married often refused to consummate their marriages and soon left their husbands–the only women in China who were not footbound and who, Agnes Smedley tells us, welcomed the births of daughters and organized successful women’s strikes in the silk mills. It allows us to connect and compare disparate individual instances of marriage resistance: for example, the type of autonomy claimed by Emily Dickinson, a nineteenth-century white woman genius, with the strategies available to Zora Neale Hurston, a twentieth-century black woman genius. Dickinson never married, had tenuous intellectual friendships with men, lived self-convented in her genteel father’s house, and wrote a lifetime of passionate letters to her sister-in-law Sue Gilbert and a smaller group of such letters to her friend Kate Scott Anthon. Hurston married twice but soon left each husband, scrambled her way from Florida to Harlem to Columbia University to Haiti and finally back to Florida, moved in and out of white patronage and poverty, professional success and failure; her survival relationships were all with women, beginning with her mother. Both of these women in their vastly different circumstances were marriage resisters, committed to their own work and selfhood, and were later characterized as “apolitical ”. Both were drawn to men of intellectual quality; for both of them women provided the ongoing fascination and sustenance of life.”
Adrienne Rich, Compulsory Heterosexuality and Lesbian Existence

Virginia Woolf
“It is only the recumbent who know what, after all, nature is at no pains to conceal—that she in the end will conquer; the heat will leave the world; stiff with frost we shall cease to drag our feet about the fields; ice will lie thick upon factory and engine; the sun will go out. Even so, when the whole earth is sheeted and slippery some undulation, some irregularity of surface will mark the boundary of an ancient garden, and there, thrusting its head up undaunted in the starlight, the rose will flower, the crocus will burn.”
Virginia Woolf, On Being Ill

Annie Finch
“In what I have come to name a Goddess-oriented spirituality, the attitude toward the body is opposite to that in the mainstream Judeo-Christian tradition. Dirt, blood, sex, soul, earth, death, animal are not destined to be transcended; as direct embodiments of the immanent sacred, they by extension are sacred. The traditions of Christianity, Buddhism, and other religions may tell us mystically that God is present in everything (“I draw water, I carry wood; that is my prayer,” says the monk in one of my earliest favorite stories,) but the notion of the Goddess actually constitutes a physical presence. Not only is the Goddess of the world; the world is her manifestation. Though the transcendent god and the immanent goddess are complementary sides of the same human spiritual coin, their resonances are fundamentally different.”
Annie Finch, The Body of Poetry: Essays on Women, Form, and the Poetic Self

Andrea Dworkin
“Once upon a time there was a wicked witch and her name was
Lilith
Eve
Hagar
Jezebel
Delilah
Pandora
Jahi
Tamar
and there was a wicked witch and she was also called goddess and her name was
Kali
Fatima
Artemis
Hera
Isis
Mary
Ishtar
and there was a wicked witch and she was also called queen and her name was
Bathsheba
Vashti
Cleopatra
Helen
Salome
Elizabeth
Clytemnestra
Medea
and there was a wicked witch and she was also called witch and her name was
Joan
Circe
Morgan le Fay
Tiamat
Maria Leonza
Medusa
and they had this in common: that they were feared, hated, desired, and worshiped.”
Andrea Dworkin, Woman Hating

Naomi Alderman
“They come to ask for her teachings.
They say, "Why do you call God 'She'?"
Eve says, "God is neither woman nor man but both these things. But now She has come to show us a new side to Her face, one we have ignored for too long."
They say, "But what about Jesus?"
Eve says, "Jesus is the son. But the son comes from the mother. Consider this: which is greater, God or the world?"
They say, for they have learned this already from the nuns, "God is greater, because God created the world."
Eve says, "So the one who creates is greater than the thing created?"
They say, "It must be so."
Then Eve says, "So which must be greater, the Mother of the Son?”
Naomi Alderman, The Power

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