“either you are so underdeveloped that you can't see all that you can do, or you won't sacrifice your ease, your vanity, or whatever it is, to do it...”
―
―
“it is the function of a poet to relate not things that have happened, but things that may happen,”
― Poetics: with the Tractatus Coislinianus, reconstruction of Poetics II, and the fragments of the On Poets
― Poetics: with the Tractatus Coislinianus, reconstruction of Poetics II, and the fragments of the On Poets
“The audience wants to be piqued, to be misled, to be disappointed at times, so that it can, finally, be fulfilled. The audience therefore needs the second act to end with a question.”
― Three Uses of the Knife: On the Nature and Purpose of Drama
― Three Uses of the Knife: On the Nature and Purpose of Drama
“The anti-Stratfordians hold that Shakespeare didn’t write Shakespeare’s plays—it was another fellow of the same name, or of a different name. In this they invert the megalomaniacal equation and make themselves not the elect, but the superior of the elect. Barred from composing Shakespeare’s plays by a regrettable temporal accident, they, in the fantasy of most every editor, accept the mantle of primum mobile, consign the (falsely named) creator to oblivion, and turn to the adulation of the crowd for their deed of discovery and insight—so much more thoughtful and intellectual than the necessarily sloppy work of the writer.”
― Three Uses of the Knife: On the Nature and Purpose of Drama
― Three Uses of the Knife: On the Nature and Purpose of Drama
“For we rationalize, objectify, and personalize the process of the game exactly as we do that of a play, a drama. For, finally, it is a drama, with meaning for our lives. Why else would we watch it?”
― Three Uses of the Knife: On the Nature and Purpose of Drama
― Three Uses of the Knife: On the Nature and Purpose of Drama
Jill’s 2025 Year in Books
Take a look at Jill’s Year in Books, including some fun facts about their reading.
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