“Solitude and communion, individuality and universality are still the extremes that devour every Mexican. This conflict characterizes our most intimate selves and gives special color- alternately dark and bright- to our private conduct and our relationship with others; at the same time it has a profound effect on all our political, social and artistic efforts. Mexican life is a continual, lacerating swing between extremes, or else an unstable and painful equilibrium.”
―
―
“I saw the surface of her, merely the outer shell, and realized that she was mere surface all the way to her core.”
― James
― James
“This part of the mo'olelo is often overlooked, but it reminds us that aloha is an active verb; it is tactile. Aloha plants seeds, grows, and transforms the 'āina around us. Aloha is distinct because it cannot be commodified and therefore cannot be bought or sold. Aloha creates-- in fact, aloha is always creating. Pele uses lava. Her aloha is both rage and rapture, destruction and creation. For Hi'iaka, aloha can be reforestation. I have learned from this mo'olelo that if it does not transform us, it is not aloha. Further, if it is not marked on the 'āina, it is not aloha, or at least, it is not the aloha our kupuna were raised with, cultivated, and carefully passed down in our mo'olelo to us.”
―
―
“I ain't never seen two fellas talk so much and say so little," Huck said.
"You be almos' thinkin' dey be preachers," I said.
"You know what I could go fer, Bilgewater?"
"What's that, Dolphin?”
― James
"You be almos' thinkin' dey be preachers," I said.
"You know what I could go fer, Bilgewater?"
"What's that, Dolphin?”
― James
“I think about how Nāwahī, the editor of Ke Aloha Aina, defined aloha 'āina as a constant magnetic pull toward's one place that cannot be weakened or dettered. I think about Puna, being pulled, pulled, pulled home, always and every day.”
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