Danielle Dulchinos

“Why Dont You?' wasn't totally absurd to me," Diana said later. "Of course, the columns had a certain absurdity that tickled people -- just to think that anyone would thin of writing anything so absurd. But it wasn't even writing. To me writing--Edith Wharton, Henry James...Proust, for God's sake...is a think of beauty and sustainment. 'Why Don't You?' was a think of fashion and fantasy, on the wing...It wasn't writing, it was just ideas. It was me, insistent on people using their imaginations, insisting on a certain idea of luxury.”
― Amanda Mackenzie Stuart

“He embraced compromise as a necessary element of public life, engaged his political foes in the passage of important legislation, and was willing to break with the base of his own party in order to do what he thought was right, whatever the price. Quaint, yes: But it happened, in America, only a quarter of a century ago.”
― Jon Meacham, Destiny and Power: The American Odyssey of George Herbert Walker Bush

“In this instance, however, the answer was quite straightforward: "Men want women beautiful, romantic... birds of paradise instead of hurrying brown hens," said Bazaar in October 1945. As families were reestablished, there was a move toward a celebratory fashion of fecundity, with closer-fitting waists and rounder hips.”
― Amanda Mackenzie Stuart, Empress of Fashion: A Life of Diana Vreeland

“Unflinching creeds and consuming worldviews could lead to catastrophe, for devotees of doctrine tended to fall in love with their own righteousness, ignoring inconvenient facts. He”
― Jon Meacham, Destiny and Power: The American Odyssey of George Herbert Walker Bush