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“Crumbling is not an instant's Act
A fundamental pause
Dilapidation's processes
Are organized Decays.
'Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust—
Ruin is formal—Devil's work
Consecutive and slow—
Fail in an instant, no man did
Slipping—is Crash's law.”
― The Complete Poems of Emily Dickinson
A fundamental pause
Dilapidation's processes
Are organized Decays.
'Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust—
Ruin is formal—Devil's work
Consecutive and slow—
Fail in an instant, no man did
Slipping—is Crash's law.”
― The Complete Poems of Emily Dickinson
“She'd see that I loved her in that way I had thought I had loved all the girls before her; openly, desperately hoping for my affections returned with the same warmth and passion.
That's how I lost them all, I had wanted far too much.”
― From Out of Feldspar
That's how I lost them all, I had wanted far too much.”
― From Out of Feldspar
“Essentially, straightforward, honest, and clean is the only way to break up with someone and have you both leave with your dignity intact. {...} This takes a TON of vulnerability because this process is awkward as fuck and feels shitty to both parties involved, but I swear if you buck the fuck up and break up like a civilized person, in the long run, unless they're a psychopath or total dick, you'll keep your soul somewhat unscathed and their ego and heart not broken beyond repair.”
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“Again she dances on the edge of my consciousness, laughing at me in my dreams. This is only fair. I cast myself as her fool from the beginning. When I told her she could have anything of mine; she plundered my heart, dazzled my mind, taking whatever it was of mine that she pleased.”
― From Out of Feldspar
― From Out of Feldspar
“I've been thinking about what you said about seeing and not seeing. I had a painting teacher once tell me that the difference between a good painting and a great painting is typically five strokes. And they're usually the five boldest strokes in the painting. The question is, of course, is which five strokes?”
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Emily’s 2025 Year in Books
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