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“She'd see that I loved her in that way I had thought I had loved all the girls before her; openly, desperately hoping for my affections returned with the same warmth and passion.
That's how I lost them all, I had wanted far too much.”
― From Out of Feldspar
That's how I lost them all, I had wanted far too much.”
― From Out of Feldspar
“The passing of time purifies the past, soothes the pain of the heart but some types of pain can never go away. In this room, time has stopped, it has stopped at that time.”
― Nana, Vol. 12
― Nana, Vol. 12
“Crumbling is not an instant's Act
A fundamental pause
Dilapidation's processes
Are organized Decays.
'Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust—
Ruin is formal—Devil's work
Consecutive and slow—
Fail in an instant, no man did
Slipping—is Crash's law.”
― The Complete Poems of Emily Dickinson
A fundamental pause
Dilapidation's processes
Are organized Decays.
'Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust—
Ruin is formal—Devil's work
Consecutive and slow—
Fail in an instant, no man did
Slipping—is Crash's law.”
― The Complete Poems of Emily Dickinson
“I wanted to kiss her. She looked like the picture of peace, but I knew better to keep my passion to myself. Instead I put my lips to my wine glass, pretending that it was her. The taste was sticky sweet, but certainly not as satisfying.”
― From Out of Feldspar
― From Out of Feldspar
“I've been thinking about what you said about seeing and not seeing. I had a painting teacher once tell me that the difference between a good painting and a great painting is typically five strokes. And they're usually the five boldest strokes in the painting. The question is, of course, is which five strokes?”
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Emily’s 2025 Year in Books
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