

“What is a woman's power then?" she asked.
"I don't think we know."
"When has a woman power because she's a woman? With her children, I suppose. For a while..."
"In her house, maybe."
She looked around the kitchen. "But the doors are shut," she said, "the doors are locked."
"Because you're valuable."
"Oh yes. We're precious. So long as we're powerless.”
― Tehanu
"I don't think we know."
"When has a woman power because she's a woman? With her children, I suppose. For a while..."
"In her house, maybe."
She looked around the kitchen. "But the doors are shut," she said, "the doors are locked."
"Because you're valuable."
"Oh yes. We're precious. So long as we're powerless.”
― Tehanu

“Art belongs to everybody and nobody. Art belongs to all time and no time. Art belongs to those who create it and those who savour it. Art no more belongs to the People and the Party than it once belonged to the aristocracy and the patron. Art is the whisper of history, heard above the noise of time. Art does not exist for art’s sake: it exists for people’s sake.”
― The Noise of Time
― The Noise of Time

“Do nothing because it is righteous or praiseworthy or noble to do so; do nothing because it seems good to do so; do only that which you must do and which you cannot do in any other way.”
― The Farthest Shore
― The Farthest Shore

“You seemed, in your power, as free as man can be. But at what cost? What made you free? And I... I was made, moulded like clay, by the will of the women serving the Old Powers, or serving the men who made all services and ways and places, I no longer know which. Then I went free, with you, for a moment, and with Ogion. But it was not my freedom. Only it gave me a choice; and I chose. I chose to mould myself like clay to the use of a farm and a farmer and our children. I made myself a vessel. I know its shape. But not the clay. Life danced me. I know the dances. But I don't know who the dancer is.”
― Tehanu
― Tehanu

“We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more. Heaven only knows why we love it so...”
― The Hours
― The Hours
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