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Empire of AI: Ins...
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“Poetry presents the thing in order to convey the feeling. It should be precise about the thing and reticent about the feeling - for as soon as the mind responds, connects with the thing, the feeling shows in the words; this is how poetry enters deeply into us.

If the poet presents directly feelings which overwhelm ... they cannot strengthen morality and refine culture, set heaven and earth in motion, and call up the spirits!”
Wei Tai (魏泰)

Anne Truitt
“What could my work [as an artist] ever mean to this man? A kind touch of my hand in a moment of fear or pain would have been more in his service than the endeavour of my whole lifetime. This incontrovertible fact stuck in my craw for weeks … he remains in my mind, central to my thoughts about my life. And to my recognition of limitation. In the range of my character at any given moment, I have acted in the only way it seemed to be that I could have acted. This in no way means that I have done what was right; only what was possible for me … It takes kindness to forgive oneself for one’s life.”
Anne Truitt, Daybook: The Journal of an Artist

Kathleen Jamie
“Isn't that a kind of prayer? The care and maintenance of the web of our noticing, the paying heed?”
Kathleen Jamie, Findings

Albert Einstein
“The only thing you absolutely have to know, is the location of the library.”
Albert Einstein

Mark Doty
“To think through things, that is the still life painter’s work - and the poet’s. Both sorts of artists require a tangible vocabulary, a worldly lexicon. A language of ideas is, in itself, a phantom language, lacking in the substance of worldly things, those containers of feeling and experience, memory and time. We are instructed by the objects that come to speak with us, those material presences. Why should we have been born knowing how to love the world. We require, again and again, these demonstrations. (p10)”
Mark Doty, Still Life with Oysters and Lemon: On Objects and Intimacy

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