Clare Garrison

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So Far Gone
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Kent Haruf
“I do love this physical world. I love this physical life with you. And the air and the country. The backyard, the gravel in the back alley. The grass. The cool nights. Lying in bed talking with you in the dark.”
Kent Haruf, Our Souls at Night

Robert Seethaler
“In his life he too, like all people, had harboured ideas and dreams. Some he had fulfilled for himself; some had been granted to him. Many things had remained out of reach, or barely had he reached them than they were torn from his hands again. But he was still here. And in the mornings after the first snowmelt, when he walked across the dew-soaked meadow outside his hut and lay down on one of the flat rocks scattered there, the cool stone at his back and the first warm rays of sun on his face, he felt that many things had not gone so badly after all.”
Robert Seethaler, Ein ganzes Leben

Richard Llewellyn
“It is very strange to think back like this, although come to think of it, there is no fence or hedge round Time that has gone. You can go back and have what you like if you remember it well enough.”
Richard Llewellyn, How Green Was My Valley

Maud Hart Lovelace
“It was June, and the world smelled of roses. The sunshine was like powdered gold over the grassy hillside.”
Maud Hart Lovelace, Betsy-Tacy and Tib

Alan Hollinghurst
“She felt something similar, but worse in a way, about hundreds and hundreds of books she’d read, novels, biographies, occasional books, about music and art—she could remember nothing about them at all, so that it seemed rather pointless even to say that she had read them; such claims were things people set great store by but she hardly supposed they recalled any more than she did. Sometimes a book persisted as a coloured shadow at the edge of sight, as vague and unrecapturable as something seen in the rain from a passing vehicle; looked at directly it vanished altogether. Sometimes there were atmospheres, even the rudiments of a scene; a man in an office looking over Regent’s Park, rain in the street outside—a little blurred etching of a situation she would never, could never, trace back to its source in a novel she had read some time, she thought, in the past thirty years.”
Alan Hollinghurst, The Stranger's Child

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