April

“I want to see the Parthenon by moonlight.'

I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills.

"Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas."

We crammed into Burns's small car, and went back to our hotel. ("The Chamois")”
― Daphne du Maurier, Echoes from the Macabre: Selected Stories

“When I encounter a sunrise, a painting, a woman, or an idea that makes my heart bound like a young calf, then I know I am standing in front of happiness.”
― Nikos Kazantzakis

“These summer nights are short. Going to bed before midnight is unthinkable and talk, wine, moonlight and the warm air are often in league to defer it one, two or three hours more. It seems only a moment after falling asleep out of doors that dawn touches one gently on the shoulder, and, completely refreshed, up one gets, or creeps into the shade or indoors for another luxurious couple of hours. The afternoon is the time for real sleep: into the abyss one goes to emerge when the colours begin to revive and the world to breathe again about five o'clock, ready once more for the rigours and pleasures of late afternoon, the evening, and the night.”
― Patrick Leigh Fermor, Mani: Travels in the Southern Peloponnese

“The air of the islands, she believed, was different than the air of other regions of the world. It engulfed her now, carrying with it flavors of sun-drenched soil and foam-flecked sea, aromas of virgin woods and naked rocks, its tang of citrus trees and its fizz of foreign wine-misted lips. It carried in its pockets the sounds of children's laughter, the clatter of drunken brawls, the mandolin music thrumming sensually from decades-old cassette tapes in the colorful souvenir shops where old ladies and young women waved at passersby. It came from near and far, rebounding off the blue-white flag strapped to ferry masts rearing above the sparkling waters, glinting in the brown-eyed winks and twirled mustaches of the locals.”
― Angela Panayotopulos, The Wake Up