Ross Williamson

“Yes, talk to Murderbot about its feelings. The idea was so painful I dropped to 97 percent efficiency. I’d rather climb back into Hostile One’s mouth.”
― Martha Wells, All Systems Red

“Gurathin turned to me. "So you don't have a governor module, but we could punish you by looking at you."

I looked at him. "Probably, right up until I remember I have guns built into my arms.”
― Martha Wells, All Systems Red

“How do you build a history based on ceaseless self-slaughter and betrayal? Do you deny it? Forget it? But then you are left orphaned. So history is rewritten to suit the present. As the President looks for a way to validate his own authoritarianism, Stalin is praised as a great leader who won the Soviet Union the war. On TV the first attempts to explore the past, the well-made dramas about Stalin’s Terror of the 1930s, are taken off screen and replaced with celebrations of World War II. (But while Stalin’s victory is celebrated publicly and loudly, invoking him also silently resurrects old fears: Stalin is back! Be very afraid!) The architecture reflects these agonies. The city writhes as twentyfirst-century Russia searches, runs away, returns, denies, and reinvents itself. “Moscow is the only city where old buildings are knocked down,” says Mozhayev, “and then rebuilt again as replicas of themselves with straight lines, Perspex, double glazing.”
― Peter Pomerantsev, Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia

“I could have become a mass murderer after I hacked my governor module, but then I realized I could access the combined feed of entertainment channels carried on the company satellites. It had been well over 35,000 hours or so since then, with still not much murdering, but probably, I don't know, a little under 35,000 hours of movies, serials, books, plays, and music consumed. As a heartless killing machine, I was a terrible failure.”
― Martha Wells, All Systems Red