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“So it's back once more, back up the slope.
Why do they always ruin my rope
with their cuts?
I felt so ready the other day,
Had a real foretaste of eternity
In my guts.
Spoonfeeding me yet another sip
from life's cup.
I don't want it, won't take any more of it.
Let me throw up.
Life is medium rare and good, I see,
And the world full of soup and bread,
But it won't pass into the blood for me,
Just goes to my head.
It makes me ill, though others it feeds;
Do see that I must deny it!
For a thousand years from now at least
I'm keeping a diet.”
― The Best of Rilke
Why do they always ruin my rope
with their cuts?
I felt so ready the other day,
Had a real foretaste of eternity
In my guts.
Spoonfeeding me yet another sip
from life's cup.
I don't want it, won't take any more of it.
Let me throw up.
Life is medium rare and good, I see,
And the world full of soup and bread,
But it won't pass into the blood for me,
Just goes to my head.
It makes me ill, though others it feeds;
Do see that I must deny it!
For a thousand years from now at least
I'm keeping a diet.”
― The Best of Rilke
“Out beyond ideas of wrongdoing
and rightdoing there is a field.
I'll meet you there.
When the soul lies down in that grass
the world is too full to talk about.”
―
and rightdoing there is a field.
I'll meet you there.
When the soul lies down in that grass
the world is too full to talk about.”
―
“If there were a place that we didn't know of, and there,
on some unsayable carpet, lovers displayed
what they never could bring to mastery here – the bold
exploits of their high-flying hearts,
their towers of pleasure, their ladders
that have long since been standing where there was no ground, leaning
just on each other, trembling, - and could master all this,
before the surrounding spectators, the innumerable soundless dead:
Would these, then, throw down their final, forever saved-up,
forever hidden, unknown to us, eternally valid
coins of happiness before the at last
genuinely smiling pair on the gratified carpet?”
―
on some unsayable carpet, lovers displayed
what they never could bring to mastery here – the bold
exploits of their high-flying hearts,
their towers of pleasure, their ladders
that have long since been standing where there was no ground, leaning
just on each other, trembling, - and could master all this,
before the surrounding spectators, the innumerable soundless dead:
Would these, then, throw down their final, forever saved-up,
forever hidden, unknown to us, eternally valid
coins of happiness before the at last
genuinely smiling pair on the gratified carpet?”
―
“Whoever you are: in the evening step out
of your room, where you know everything;
yours is the last house before the far-off:
whoever you are.
With your eyes, which in their weariness
barely free themselves from the worn-out threshold,
you lift very slowly one black tree
and place it against the sky: slender, alone.
And you have made the world. And it is huge
and like a word which grows ripe in silence.
And as your will seizes on its meaning,
tenderly your eyes let it go...”
― The Book of Images
of your room, where you know everything;
yours is the last house before the far-off:
whoever you are.
With your eyes, which in their weariness
barely free themselves from the worn-out threshold,
you lift very slowly one black tree
and place it against the sky: slender, alone.
And you have made the world. And it is huge
and like a word which grows ripe in silence.
And as your will seizes on its meaning,
tenderly your eyes let it go...”
― The Book of Images
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