Anoop Sagar

“I’m a Bengali,’ I said. His face lit up. ‘Oh Bengali! Bengali, Malayali same thing. Communism, cinema, culture . . .’ He could have gone on talking, but his English was as limited as my Malayalam. Though I could see from his eyes that he was genuinely happy to have me in that chair. I was glad that he did not speak English or else it would have broken his heart to know that I never lived in Bengal and was, culturally, more of a UP-wallah. I have let down—and even offended—quite a few Malayalis during my visits to Kerala. Upon knowing that I am a Bengali, they would presume that I hailed from Calcutta and was bound to be a distant relative of Jyoti Basu. Once, I was at a small gathering in Trivandrum, where a young man, in order to impress me about his knowledge of Marxist literature emanating from Bengal, asked me, ‘So what do you think of . . .?’ He named someone I had never heard of. ‘I am sorry, but who is he?’ ‘What? You never read his books?’ he was scandalised. ‘He is such a great writer.’ I told the young man that I had never heard of this writer. He was indignant. ‘What? You never heard of him? He is also a Ghosh, then how come?’ ‘I am sorry, but I have never heard of him.’ ‘What? You never heard of him? He is one of the leading lights of communism. How can a Bengali not read him?’ I told him I had never lived in Bengal and that the communist movement did not interest me much. ‘Oh, so where are you from?’ ‘I am from Kanpur, in Uttar Pradesh.’ ‘But you surname says you are a Bengali.’ ‘Of course I am a Bengali, but born and raised in Uttar Pradesh.’ ‘Oh, so you are a rootless Bengali. No wonder.’ The young man looked smug as if he had won a battle and he poured himself another drink. He looked around for approval but, fortunately, the other members at the gathering kept a straight face.”
― Bishwanath Ghosh, Chai, Chai: Travels in Places Where You Stop But Never Get Off

“I’m a Bengali,’ I said. His face lit up. ‘Oh Bengali! Bengali, Malayali same thing. Communism, cinema, culture . . .’ He could have gone on talking, but his English was as limited as my Malayalam. Though I could see from his eyes that he was genuinely happy to have me in that chair. I was glad that he did not speak English or else it would have broken his heart to know that I never lived in Bengal and was, culturally, more of a UP-wallah. I have let down—and even offended—quite a few Malayalis during my visits to Kerala. Upon knowing that I am a Bengali, they would presume that I hailed from Calcutta and was bound to be a distant relative of Jyoti Basu. Once, I was at a small gathering in Trivandrum, where a young man, in order to impress me about his knowledge of Marxist literature emanating from Bengal, asked me, ‘So what do you think of . . .?’ He named someone I had never heard of. ‘I am sorry, but who is he?”
― Bishwanath Ghosh, Chai, Chai: Travels in Places Where You Stop But Never Get Off

“But tell me one thing, why do Bengalis still use surnames that indicate their caste? We used to do it in Kerala fifty years ago, now we don’t do it any more. But you people still use Mukherjee and Chatterjee and so on.’ I did not have an answer to his question, but I knew that the question was a well-meaning one, asked out of innocent curiosity by one member of the communist society to another presumed member. He did not know that I actually hailed from the Hindi heartland, where people wear their caste names like medals. Casteism in Uttar Pradesh is so rampant that it can lead to embarrassing situations in day-to-day life because of two certain surnames—Sharma and Verma. There are two varieties of Sharma, one the Brahmins and the other the craftsman community, such as carpenters, called Vishwakarmas. And there are two varieties of Vermas, one the Kayasthas and other the mallah or the boatman community. The uppercaste Sharmas and Vermas never miss a chance to point out that they are not to be confused with the other set of Sharmas and Vermas. I was witness to such an incident, while in college in Kanpur. Among my many friends, there were two Sharmas, one Anil Sharma, a boy from a well-to-do family, and another Sunil Sharma, who rarely spoke about his family. One winter afternoon, while I was having a smoke with Sunil at the parking lot, Anil came by. I introduced them to each other. ‘Meet Sunil Sharma,’ I told Anil. Anil somewhat hesitated to shake Sunil’s hand but when he finally did, the first thing he asked was, ‘Are you the Brahmin Sharma or the Vishwakarma Sharma?’ Sunil’s face went red with embarrassment, but he mustered a smile and said, ‘Vishwakarma Sharma.’ ‘No wonder. I could tell that,’ Anil grinned and took leave, leaving me red-faced. But that was then. Today, Anil could have been lynched for that arrogant grin, because power has gone to the hitherto-suppressed classes. Either way, the fact remains that caste rules. Compared to Uttar Pradesh, Kerala might be a paradise, where caste is nearly irrelevant in public life, but are there not people who still take pride in being called a Nair or a Nambiar or a Menon? I wanted to ask Mr Sankarankutty that, but I let it be. His question was, after all, a well-meaning one. By now, I had completely forgotten that a whisky bottle was sitting there. The conversation with him had distracted me from my hypochondria and I felt perfectly fine. After he left, I reached for my skipping rope and jumped five hundred times non-stop. I knew I was in perfect shape to climb even a mountain.”
― Bishwanath Ghosh, Chai, Chai: Travels in Places Where You Stop But Never Get Off

“Enthu cutlet is a typical Bangalore word and refers to someone who gets over-excited about a variety of things like landing up at a restaurant before anyone else, making party plans on every occasion or even otherwise and putting up a status update on Facebook every two hours.”
― Varun Agarwal, How I Braved Anu Aunty & Co-Founded A Million Dollar Company