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Austin Kleon
“Be regular and orderly in your life, so that you may be violent and original in your work.” —Gustave Flaubert”
Austin Kleon, Steal Like an Artist: 10 Things Nobody Told You About Being Creative

Werner Herzog
“Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect”
Werner Herzog

Krzysztof Kieślowski
“Regardless of the subject of my films … I am looking for a way of evoking in audiences feelings similar to my own: the physically painful impotence and sorrow that assail me when I see a man weeping at the bus stop, when I observe people struggling vainly to get close to others, when I see someone eating up the left-overs in a cheap restaurant, when I see the first blotches on a woman's hand and know that she too is bitterly aware of them, when I see the kind of appalling and irreparable injustice that so visibly scars the human face. I want this pain to come across to my audience, to see this physical agony, which I think I am beginning to fathom, to seep into my work.”
Krzysztof Kieślowski

R. Buckminster Fuller
“How often I found where I should be going only by setting out for somewhere else.”
R. Buckminster Fuller

Martin Heidegger
“When the farthest corner of the globe has been conquered
technologically and can be exploited economically; when any incident you like, in any place you like, at any time you like, becomes
accessible as fast as you like; when you can simultaneously "experience" an assassination attempt against a king in France and a symphony concert in Tokyo; when time is nothing but speed, instantaneity, and simultaneity, and time as history has vanished from all
Being of all peoples; when a boxer counts as the great man of a
people; when the tallies of millions at mass meetings are a triumph;
then, yes then, there still looms like a specter over all this uproar the
question: what for? — where to? — and what then?”
Martin Heidegger, Introduction to Metaphysics

year in books
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