Brianna
https://www.goodreads.com/raspberryarrest
progress:
(page 127 of 1463)
""That day was sunshine from start to finish. All nature seemed to be on a vacation. The flower beds and lawns of Saint-Cloud were balmy with perfume; the breeze from the Seine vaguely stirred the leaves; the boughs were gesticulating in the wind; the bees were pillaging the jasmine; a whole bohemian crew of butterflies had settled in the yarrow, clover, and wild oats."" — Apr 14, 2021 06:03PM
""That day was sunshine from start to finish. All nature seemed to be on a vacation. The flower beds and lawns of Saint-Cloud were balmy with perfume; the breeze from the Seine vaguely stirred the leaves; the boughs were gesticulating in the wind; the bees were pillaging the jasmine; a whole bohemian crew of butterflies had settled in the yarrow, clover, and wild oats."" — Apr 14, 2021 06:03PM
“We have a bad habit of seeing books as sort of cheaply made movies where the words do nothing but create visual narratives in our heads.
So too often what passes for literary criticism is "I couldn't picture that guy", or "I liked that part", or "this part shouldn't have happened." That is, we've left language so far behind that sometimes we judge quality solely based on a story's actions.
So we can appreciate a novel that constructs its conflicts primarily through plot - the layered ambiguity of a fatal car accident caused by a vehicle owned by Gatsby but driven by someone else, for instance. But in this image-drenched world, sometimes we struggle to appreciate and celebrate books where the quality arises not exclusively from plot but also from the language itself.”
―
So too often what passes for literary criticism is "I couldn't picture that guy", or "I liked that part", or "this part shouldn't have happened." That is, we've left language so far behind that sometimes we judge quality solely based on a story's actions.
So we can appreciate a novel that constructs its conflicts primarily through plot - the layered ambiguity of a fatal car accident caused by a vehicle owned by Gatsby but driven by someone else, for instance. But in this image-drenched world, sometimes we struggle to appreciate and celebrate books where the quality arises not exclusively from plot but also from the language itself.”
―
“The old men had a set rabbit-hunting strategy that they had always used. Usually when a dog jumps a rabbit, and the rabbit gets away, that rabbit will always somehow instinctively run in a circle and return sooner or later past the very spot where he originally was jumped. Well, the old men would just sit and wait in hiding somewhere for the rabbit to come back, then get their shots at him. I got to thinking about it, and finally I thought of a plan. I would separate from them and Big Boy and I would go to a point where I figured that the rabbit, returning, would have to pass me first.
It worked like magic. I began to get three and four rabbits before they got one. The astonishing thing was that none of the old men ever figured out why. They outdid themselves exclaiming what a sure shot I was. I was about twelve, then. All I had done was to improve on their strategy, and it was the beginning of a very important lesson in life—that anytime you find someone more successful than you are, especially when you’re both engaged in the same business—you know they’re doing something that you aren’t.”
―
It worked like magic. I began to get three and four rabbits before they got one. The astonishing thing was that none of the old men ever figured out why. They outdid themselves exclaiming what a sure shot I was. I was about twelve, then. All I had done was to improve on their strategy, and it was the beginning of a very important lesson in life—that anytime you find someone more successful than you are, especially when you’re both engaged in the same business—you know they’re doing something that you aren’t.”
―
“The Romantic Satanist canonized Satan into the humane deity that the Christian god failed to be.”
― Children of Lucifer: The Origins of Modern Religious Satanism
― Children of Lucifer: The Origins of Modern Religious Satanism
“On the one hand we need the image of "the text" in order to focus on anything at all; on the other hand we use the metaphor of "reading" to signal that our apprehension of a text will always be partial, that we never quite reach the "text itself," a realization that has led certain critics to question the very existence of such an object.”
― Cybertext: Perspectives on Ergodic Literature
― Cybertext: Perspectives on Ergodic Literature
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