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Hjalmar Söderberg
“There are people who have no talent for happiness and who know this with painful, implacable clarity. Such people don’t seek happiness, merely to bring some sort of form and style to their unhappiness.”
Hjalmar Söderberg, Doctor Glas

Hjalmar Söderberg
“We want everything, we want to be everything. We want to experience all the joys of good fortune and the full depths of suffering. We want the excitement of action and the calm of observation. We want the silence of the desert as well as the noise of the forum. Simultaneously we want to be the hermit´s thought and the voice of the people; we want to be both melody and harmony. Simultaneously! How could this be possible?”
Hjalmar Söderberg, Doctor Glas

Gabriel García Márquez
“I discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well deserved reward of an ordered mind but just the opposite: a complete system of pretence invented by me to hide the disorder of my nature.”
Gabriel Garcí­a Márquez, Memories of My Melancholy Whores

Marin Sorescu
“Scara la cer

Un fir de paianjen
Atârna de tavan.
Exact deasupra patului meu.

În fiecare zi observ
Cum se lasa tot mai jos.
Mi se trimite si
Scara la cer - zic,

Mi se arunca de sus.

Desi am slabit îngrozitor de mult
Sunt doar fantoma celui ce am fost
Ma gândesc ca trupul meu
Este totusi prea greu
Pentru scara asta delicata.

- Suflete, ia-o tu înainte.
Pâs! Pâs!”
Marin Sorescu, Poezii

Alan             Moore
“Evey: Who are you?
V. : Who? Who is but the form following the function of what and what I am is a man in a mask.
Evey: Well I can see that.
V. : Of course you can, I’m not questioning your powers of observation, I’m merely remarking upon the paradox of asking a masked man who he is.
Evey: Oh, right.
V. : But on this most auspicious of nights, permit me then, in lieu of the more commonplace soubriquet, to suggest the character of this dramatis persona. Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the “vox populi” now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition.
The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
Verily this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honour to meet you and you may call me V.
Evey: Are you like a crazy person?
V. : I’m quite sure they will say so.”
Alan Moore, V for Vendetta

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