James Hutchison

“So the days passed into weeks and the weeks into months, and gradually she too faded until many years later when I came across a photograph of us together on a hillside in Greece, our only holiday. A photograph I'd long forgotten tumbled from its envelope carrying the perfume of her after all those years. That perfume! It would be on the pillow, on my shirt, in every room. Now I breathed it in and was back among the cypresses of a monastery in Greece. We had walked for hours to the garden above the sea. We were given minted honey and yogurt and cool retsina by a young monk. Evening came and it was time to return to the hotel. She asked if we could stay in the monastery and the young monk said yes. And in an ancient stone cell, she fell asleep. I lay awake listening to her soft breathing. A bone in her foot cracked. A tiny cry in the throat. Even the chanting of the monks in the early morning did not wake her.

And now there was only this photograph, the ghost of her smiling at me in the shade of cypress trees.”
― Gabriel Byrne, Walking with Ghosts

“Tenn believed that writers, all artists, had several homes. There was the biological place of birth; the home in which one grew up, bore witness, fell apart. There was also the place where the "epiphanies" began-a school, a church, perhaps a bed. Rockets were launched and an identity began to be set. There was the physical location where a writer sat each day and scribbled and hunted and pecked and dreamed and drank and cursed his way into a story or a play or a novel. Most importantly, however, there was the emotional, invisible, self-invented place where work began-what Tenn called his "mental theatre," a cerebral proscenium stage upon which his characters walked and stumbled and remained locked forever in his memory, ready, he felt, to be called into action and help him again.”
― James Grissom, Follies of God: Tennessee Williams and the Women of the Fog

“JUDGE LITTLEFIELD: Good. Now, when I come to court dressed as Ethel Merman in a one-piece bathing suit, that’ll be my signal to you that I want your opinion! BAILIFF: Yes, sir.”
― Stephen Adly Guirgis, The Last Days of Judas Iscariot: A Play

“For a great many people, the evening is the most enjoyable part of the day. Perhaps, then, there is something to his advice that I should cease looking back so much, that I should adopt a more positive outlook and try to make the best of what remains of my day. After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?”
― Kazuo Ishiguro, The Remains of the Day