David Tran

“Just as a great poet can use one scene to bring another new, unknown vista into view. It should be obvious, but the best metaphors make the best poems.”
― Haruki Murakami, Killing Commendatore

“My interest has always been in the place where sex and race are both obscenely conspicuous and yet consciously suppressed, largely because of the liminal place that the Asian man occupies in the midst of it: an “honorary white” person who will always be denied the full perquisites of whiteness; an entitled man who will never quite be regarded or treated as a man; a nominal minority whose claim to be a “person of color” deserving of the special regard reserved for victims is taken seriously by no one. In an age characterised by the politics of resentment, the Asian man knows something of the resentment of the embattled white man besieged on all sides by grievances and demands for reparation, and something of the resentments of the rising social justice warrior, who feels with every fibre of their being that all that stands in the way of the attainment of their thwarted ambitions is nothing so much as a white man. Tasting of the frustrations of both, he is denied the entitlements of either.”
― Wesley Yang, The Souls of Yellow Folk: Essays

“To write good software you must simultaneously keep two opposing ideas in your head. You need the young hacker’s naive faith in his abilities, and at the same time the veteran’s skepticism. You have to be able to think how hard can it be? with one half of your brain while thinking it will never work with the other.”
― Paul Graham, Hackers & Painters: Big Ideas from the Computer Age

“Even the darkest, thickest cloud shines silver when viewed from above.”
― Haruki Murakami, Killing Commendatore